fallujah: heather raffo talks about working with christian ellis
heather raffo talks about working with christian ellis (00:00:59)
“What I got from Christian that week was a lot about his desire for redemption, a lot about his desire for connection with family, a lot about his thought about serving in Iraq – the cost of serving in Iraq, emotionally. And I think that is the most unique thing about Christian. I've talked to a lot of marines since coming onto this project, I've spent my life talking to Iraqis in a warzone, and what Christian is so amazing at is able to articulate the emotional costs to him personally. They're things that a lot of people aren't really willing to look at, aren't willing to share, and don't really even necessarily have words for, even if they wanna look at it and share it.”
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topic: opera
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location: vancouver
fallujah: heather raffo talks about working with christian ellis
Fallujah: The First Opera on the Iraq War USMC Sergeant (ret) Christian Ellis was a machine gunner in Iraq whose platoon was ambushed, leaving him with a broken back and only one of a few survivors. He returned home to join millions of Americans who struggle with piecing their lives together in the shadows of post-traumatic stress. After four suicide attempts and with the help of a philanthropist, an acclaimed New York librettist of Iraqi descent, an accomplished composer and City Opera Vancouver, Christian helped turn the demons of war into Fallujah: the first opera on the Iraq war.
“What I got from Christian that week was a lot about his desire for redemption, a lot about his desire for connection with family, a lot about his thought about serving in Iraq – the cost of serving in Iraq, emotionally. And I think that is the most unique thing about Christian. I've talked to a lot of marines since coming onto this project, I've spent my life talking to Iraqis in a warzone, and what Christian is so amazing at is able to articulate the emotional costs to him personally. They're things that a lot of people aren't really willing to look at, aren't willing to share, and don't really even necessarily have words for, even if they wanna look at it and share it.”







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